Spy Photography’s Journals

I had such a good response from my very personal very triggering journals that I decided to share some more journal entries focusing mainly on my band photography. And because it’s related to my band photography you get to see some pretty pictures.

Sunday, July 2nd, 2017

I’ve been rapid cycling. Yesterday was probably my 80th attempt at giving up my photography in two years. Thinking about it at least.
But then I remembered I’m seeing Sorority Noise in September and became excited about photographing them. And Speaker might next send me to Grinspoon. So I’m starting to remember why I wanted to be a band photographer in the first place – to both see and photograph my favourite bands live. Somewhere along the way I lost sight of that direction and saw it as a monthly attempt at getting the most hits and likes on social media. Tim Rogers was right – it is toxic.
It’s good to have another long break though to spend some time watching Stan or Netflix, play video games and work on upgrading my PC.

Tuesday, August 1st, 2017

I’m always beating myself up over everything.

In order to explain such a statement properly I’m going to have to talk about the second last gig I shot. Getting to shoot Grinspoon came upon pretty suddenly, although I did apply to shoot the show in the first place I didn’t think I will get approved. The last show I shot for Speaker TV was The Living End and that was only because I was piggybacking on the end of two other photographers who didn’t end up on the list but were approved by their publications. I had no such approval but I kept quiet, didn’t once utter I had official clearance so technically I didn’t lie about it. I had traveled from Sydney to Wollongong with a heavy bag full of expensive lenses – I wasn’t going to cloak that. If I didn’t get my camera in I would rather have walked out, gone to a pub and sulked rather than cloak $4000k worth of equipment.

Phil Jamieson from Grinspoon at Enmore Theatre, July 7, 2017

Phil Jamieson from Grinspoon at Enmore Theatre, July 7, 2017

I wasn’t really prepared to shoot Grinspoon when I was approved but I did feel confident about it. The day of the show I felt pretty positive when I cleaned my lenses and packed them away in my camera bag but that night when I was walking to the bus stop out of nowhere I had trouble breathing. ‘What is this?’ I thought. ‘Is it anxiety – from where?’ I kept feeling anxious as I went onto the bus. I tried to analyze the situation in my head. I was going to Enmore Theatre in Newtown, a venue and area I was really familiar with. I normally felt this anxious before a gig if I had to go to a venue I’d never been to before in an area I wasn’t familiar with. This didn’t make sense. If that wasn’t bad enough certain elements within my environment that should be static started moving around and going in and out. I felt like I was on some sort of drug. Was this what they call derealisation?
My nerves continued even when I got inside Enmore Theatre but eventually they dissipated as my central focus was put on photographing the opening band. During Grinspoon I was stressed out over missing all the best action shots. It was hard to find a good spot to shoot from because there were these machines lined up at the very front of stage that spat out confetti and smoke. The effect looked nice but they were dangerous for me to get too close to.

If I’m to be completely honest I’m really disappointed with how the photos turned out and I’m confused to as why people really like them. I missed all the good action shots and I should have chosen a wider lens as my main instead of flaunting my 70-200mm wonder lens. But it was a learning curve for me and I will get my chance to do better next time.

The next gig was Pete Murray and I was even less prepared because I forgot I applied for it at all. The whole night I didn’t feel like any of my photos were in focus and I had to keep adjusting my settings. Then when I got home and actually looked at them on my computer the shots I thought were blurry were actually quite sharp and in focus. I had the same problem at Grinspoon – I thought hardly any of the photos turned out after I took them, and to be honest a lot of those photos ended up being in focus too.

So, this is my problem. I keep thinking I’m taking horrible and under focused photos when I’ve done the opposite. It’s frustrating for me because when I think I’m taking bad photos I basically give up taking any more. Like at Pete Murray I didn’t make many attempts to get a shot of the band from the crowd because I thought hardly any of my photos from that night turned out.
I just need to be a bit easier on myself because beating myself up over taking poor photos can ruin my whole night.

PeteMurray_EnmoreTheatre_04

Pete Murray at Enmore Theatre, 29th July 2017

Wednesday, August 02, 2017

 The next gig for me to shoot may be New Found Glory from the USA. I got the e-mail from Speaker TV about it yesterday. I have a bit over a week to prepare. I need to remember to remain confident, just not tire myself out too early or drink too much; that will be easy as most alcohol in music venues is rough on the palette, worse on my stomach and overpriced. I might check out some live photos on them as well as videos to see what lenses I should use. I’m expecting there’s going to be a lot of jumping around. I have seen NFG once by accident really. They were a support act for a band I was seeing. They were good and they didn’t have crazy energy so it should be a pretty easy show to shoot.
I want to review the show as well. I have plans to start up my own arts and entertainment site – reviews, opinion pieces, articles about the culture surrounding music, gaming, films etc. I’ll keep the name to myself until it goes live.

I’m going to have to make a list of all the bands I’ve applied to shoot to remember that I did and so I get no overlaps. I think I have Hawthorne Heights this month as well as You Am I. I’m more excited for Alex Lloyd and Sorority Noise in September and even though AFI is the night after Llyod’s gig it would still be good to go. I meant to receive my long waited copy of Destiny 2 on September 6th too. If I get approved to shoot Alex Llyod and AFI then I’ll have to wait at least a week to play it. It suits me fine. Alex Lloyd’s music holds a special nostalgia for me and it will be great to see him live, even if I have to take photos from a balcony at the back of Leadbelly, because there’s going to be dinner tickets which means I can’t get in the patrons way that paid $112 for a ticket. The biggest challenge in photographing both Alex Llyod and AFI will be in the fatigue that will follow as my chronic fatigue has proven to become quite a problem for me.

My Canon 70-200mm f/2.8L IS is being delivered to me too. So by the end of the week I can have a play with that. We can see how good its image stabilisation really is.

Right now I am content to continue reading Alex Rider, applying for both writing and photography jobs, writing blogs, working on a screen play, exercising, watching Skins on Netflix and maybe playing some Iron Banner in Destiny 1.

No rest for the talented. Give me a break! I was really depressed about this before, so now I’m feeling overconfident and a bit arrogant. I’m not very good at balancing my emotions. Extreme highs or extreme giving up – that’s the best you can expect to get out of me.

Feeling Defeated

I've got the sads like my dog Bear does here

I’ve got the sads like my dog Bear does here

Recently I had missed out on taking photos of two bands that I really love, and I think I’m about to miss out on a third this weekend. It hurts a whole lot more because I choose to take photos of the bands I don’t just like or love but obsess over. That’s not a bad thing. You know, I’m just like a teenager who sticks up posters of all their favourite bands and relates some lyrics to their own situation. The music I listen to is more than background music or tunes to just enjoy; they provide themes to my own moods, energy levels and even identity.

From time to time I do miss out on photographing my favourite bands, either from a lack of media access to their shows or being unable to make it to the gig for some reason. The first band I missed out on photographing was The Living End, who I have loved since I was 10. If you think teenage obsessions with bands were big when I was 10 The Living End was my whole life. They were my young autistic special interest who I not just listened to but soaked up any information about. It was really heartbreaking to not get a photo pass to one of their gigs. I even wished I could have loved another band as a child over them; one that wasn’t so hard to get media access to.

The second band was The Ape. My new favourite band and introduction to the music of Tex Perkins. I was also going to travel to Melbourne for the first time if only the tickets to the gig weren’t so expensive because the flight was also going to cost a lot. It was kind of the next big step for me because when my sister was talking about going to the airport I had so much anxiety and felt so overwhelmed by all the information being told to me my head plummeted to the table, and I was shaking until I contacted one of the band members to see if I was allowed to get in to take photos, and get a plus one for my sister because the tickets were really expensive. I’m still not sure if I was allowed to take photos or not, but as the tickets came with meals and drinks and it seemed unlikely I could get on the guest list and eventually I started to become anxious about going, I decided to mope at home and play video games instead.

The next gig I applied for media access to is Rock the Gate, a concert standing against coal seam gas mining. One of the acts playing is Tex Perkins and the Dark Horses. The headliner is Pete Murray and that would probably really help expose my photography to a wider audience, but I haven’t heard back from anyone regarding my application to photograph the gig yet and so I have little hope I’ll hear back before this weekend.

Last night I noticed I didn’t take my missed opportunity to see and photograph The Ape well and by the time I was in bed full blown depression hit with the occasional suicidal ideation. Now I thought my next depressed episode will be over Centrelink post the two interviews I just had, which I planned to post about in ‘My Second Most Recent Breakdown’ but the interview didn’t turn out to be so bad. I sat down for another capacity assessment to see if I was still eligible for the disability support pension and surprisingly the assessor made me feel like I was. One thing I didn’t mention to them however was the fact that I get so down and depressed when things don’t work out for my photography.

That’s how I feel now: I feel like I will never get another opportunity to photograph another show that I need media access to and I even feel like I don’t have the skills to do it should that opportunity arise again. Although, I seem to be doing all right when taking photos of my cats and dog. There was a little black and white photo challenge on Facebook where you had to post one black and white photo a day, and so I decided to take about 200 black and white photos of my pets and now I’m posting one or two each day to my wall.

The skills are still there but my confidence isn’t and since missing out on photographing The Ape for a fourth time I’ve lost interest in going out to gigs. I’ve basically just been playing my Xbox One and getting most of my self-confidence back through playing video games, and I’m pretty good so will stick at it. It’s become my new special interest. It is all I think about, read about, desire and of course, play.

So yes, the next step is learning to take defeat and still staying with my photography. There are so many bands to photograph but like I said I choose to photograph my upmost favourite. The bands I always think about, listen to and buy camera lenses worth +$1000 for just to take photos of individual band members alone. I actually did that, after the last The Ape gig I was at I decided that I needed a wider angle lens, which I did have but left at home. I bought it after I kept cutting off the heads of guitarists with my usual lens.

On the bright side I will still be able to photograph my favourite bands that don’t require media access. I have two opportunities to see River of Snakes next week. The next couple of gigs I need media access to would Gyroscope at Oxford Art Factory and the big one for me will be Datsuns at The Metro. Both gigs are coming up in the next couple of weeks.

I still feel defeated. I’m still depressed of course. It will run its course and I’ll recover soon. I find the best way to deal with it is let the emotions and thoughts come and do their damage and by the end I’ll forget about ever feeling this way. When I first got the idea to go to Melbourne and take photos of The Ape I had that super inhuman level of over confidence which almost led to me spending $170 on tickets alone and thinking it was a sacrifice worth taking. But then I came back down to Earth and thought it would be better to wait for them to come back to Sydney so I can see them for $20-$30 again.

I should probably mention that I may have missed out on photographing two of my favourite bands but I did get to take photos of my mate Davey Lane and after I put the photos online got a post reach just five views short of 4000. That was massive. That’s the highest it’s ever been, and I didn’t even need to pay Facebook money to show my posts to more people.

Maybe it’s a good thing that I don’t get many opportunities to photograph bands this late in the year. It’s heading into the Christmas season and I like to spoil my nephews and nieces.

So, I’ll keep doing my band photography. The harsh reality is you can be doing this for 20 years and sometimes you’ll miss out on gigs that you just assume will be easy to get into, and sometimes you’ll get into huge arena shows…or The Metro in Sydney.

For now I’m just going to continue to feel sorry for myself, because depression.